The Growth of English Drama by Arnold Wynne
page 134 of 315 (42%)
page 134 of 315 (42%)
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_Campaspe._ No, nor love in me.
_Apelles._ Then have you injured many. _Campaspe._ How so? _Apelles._ Because you have been loved of many. _Campaspe._ Flattered perchance of some. _Apelles._ It is not possible that a face so fair, and a wit so sharp, both without comparison, should not be apt to love. _Campaspe._ If you begin to tip your tongue with cunning, I pray dip your pencil in colours; and fall to that you must do, not that you would do. Thus she sets him aside. Poor Apelles, alone, in a later scene laments his fate in loving her whom Alexander desires, ending his mournful soliloquy with a song, the most beautiful of all that Lyly has scattered so lavishly through his plays. Cupid and my Campaspe played At cards for kisses; Cupid paid. He stakes his quiver, bow, and arrows, His mother's doves, and team of sparrows; Loses them too; then, down he throws The coral of his lip, the rose Growing on 's cheek, (but none knows how) With these the crystal of his brow, |
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