The Growth of English Drama by Arnold Wynne
page 35 of 315 (11%)
page 35 of 315 (11%)
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_Jeffate._ Mother, we praye you all together,
For we are heare, youer owne childer, Come into the shippe for feare of the weither, For his love that you boughte! _Noyes Wiffe._ That will not I, for all youer call, But I have my gossippes all. _Sem._ In faith, mother, yett you shalle, Wheither thou wylte or [nought]. _Noye._ Welckome, wiffe, into this botte. _Noyes Wiffe._ Have thou that for thy note! _Noye._ Ha, ha! marye, this is hotte! It is good for to be still. [The reader will easily supply for himself appropriate stage-directions.] But of all these comic characters none developed so excellent a genius for winning laughter as the Shepherds who 'watched their flocks by night, all seated on the ground'. To see them at their best we must turn to the _Wakefield_ (or _Towneley_) _Miracle Play_ and read the pastoral scene (or, rather, two scenes) there. Here we come face to face with rustics pure and simple, downright moorland shepherds, homely, grumbling, coarsely clad, warm-hearted, abashed by a woman's tongue, rough in their sports. The real old Yorkshire stock of nearly six hundred years ago rises into life as we read. |
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