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The Growth of English Drama by Arnold Wynne
page 37 of 315 (11%)
She is browyd lyke a brystylle, with a sowre loten chere;
Had she oones well hyr whystyll she couth syng fulle clere
Hyr pater noster.
She is as greatt as a whalle
She has a galon of galle.

Conversation opens between the two, but rapidly comes to a dispute.
Fortunately the timely arrival of a third shepherd dissipates the cloud,
and they are quite ready to hear his complaints--this time of
wide-spreading floods--coupled with further reflections on the hard
conditions of a shepherd's lot. By this time the circle is complete, and
a good supper and song are produced to ratify the general harmony. But
now enters the element of discord which forms the pivot of the second
scene. Mak, a boorish fellow shrewdly suspected of sheep stealing, joins
them, and, after some chaffing, is allowed to share their grassy bed. In
the night he rises, picks out the finest ram from the flock, drives it
home, and hides it in the cradle. He then returns to his place between
two of the shepherds. As he foresaw, morning brings discovery, suspicion
and search. The three shepherds proceed to Mak's home, only to be
confronted with the well concocted story that his wife, having just
become the mother of a sturdy son, must on no account be disturbed. On
this point apparently a compromise is effected, the search to be
executed on tip-toe, for the shepherds do somewhat poke and pry about,
yet under so sharp a fire of abuse as to render them nervous of pressing
their investigations too closely. Thus they pass the cradle by, and all
would have gone well with Mak but for that same warm-heartedness of
which we spoke earlier. They are already out of the house when a true
Christmas thought flashes into the mind of one of them.

_1st Shepherd._ Gaf ye the chyld any thyng?
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