The Growth of English Drama by Arnold Wynne
page 73 of 315 (23%)
page 73 of 315 (23%)
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_Sancte benedicite_, whom have we here
Tom Tumbler, or else some dancing bear? Body of me, it were best go no near: For ought that I see, it is my godfather Lucifer, Whose prentice I have been this many a day: But no more words but mum: you shall hear what he will say. By the time he has finished speaking the other has unrolled himself and presents a queer figure, clothed in a bearskin and bearing in large print on his chest and back the name Lucifer. He too commences with a laugh or a shout, 'Ho!'. That is the hall-mark of the Devil and the Vice, the herald's blare of trumpets, so to speak, before the speech of His High Mightiness. We have not forgotten that other cry: Huff, huff, huff! who sent after me? I am Imagination, full of jollity. It is the same trick; the older rascal is, bone, flesh, and blood, the very kin of Newfangle; both have the same godfather. So the dialogue opens between Old Nick and Nichol in the approved fashion: _Lucifer._ Ho! mine own boy, I am glad that thou art here! _Newfangle_ (_pointing to one standing by_). He speaketh to you, sir, I pray you come near. _Lucifer._ Nay, thou art even he, of whom I am well apaid. _Newfangle._ Then speak aloof, for to come nigh I am afraid. |
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