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The Growth of English Drama by Arnold Wynne
page 78 of 315 (24%)
A slightly fuller outline of _The Marriage of Wit and Science_ (1570
approx.) will show how pleasantly, yet pointedly, the younger generation
of that day was taught the necessity of sustained industry if
scholarship was to be acquired. It has been suggested, with good reason,
that the play was written by a schoolmaster for his pupils' performance.
The superior plot-structure, and the rare adoption of subdivision into
acts and scenes, indicate an author of some classical knowledge.

Wit, a promising youth, son of Nature, decides to marry Science, the
daughter of Reason and Experience. Nature approves of his intention, but
warns him that 'travail and time' are the only two by whose help he can
win the maid. For his servant and companion, however, she gives him
Will, a lively boy, full of sprightly fire. Science is now approached.
But it appears that only he who shall slay the giant, Tediousness, may
be her husband. To this trial Wit volunteers. He is advised first to
undergo long years of training under Instruction, Study, and Diligence;
but, soon tiring of them, he rashly goes to the fight, trusting that his
own strength, backed by the courage of Will and the half-hearted support
of Diligence, will prove sufficient. Too self-confident, he is
overthrown and his companions are put to flight. Will soon returns with
Recreation, by whose skill Wit is restored to vigour and better
resolution. Nevertheless, directly afterwards, he accepts the gentle
ministrations of the false jade, Idleness, who sings him to sleep and
then transforms him into the appearance of Ignorance. In this plight he
is found by his lady-love and her parents, who do not at first recognize
him. Shame is called in to doctor him. On his recovery he returns very
repentantly to the tuition of his three teachers, until, by their help
and Will's, he is able to slay the giant. As his reward he marries
Science.

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