The Growth of English Drama by Arnold Wynne
page 78 of 315 (24%)
page 78 of 315 (24%)
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A slightly fuller outline of _The Marriage of Wit and Science_ (1570
approx.) will show how pleasantly, yet pointedly, the younger generation of that day was taught the necessity of sustained industry if scholarship was to be acquired. It has been suggested, with good reason, that the play was written by a schoolmaster for his pupils' performance. The superior plot-structure, and the rare adoption of subdivision into acts and scenes, indicate an author of some classical knowledge. Wit, a promising youth, son of Nature, decides to marry Science, the daughter of Reason and Experience. Nature approves of his intention, but warns him that 'travail and time' are the only two by whose help he can win the maid. For his servant and companion, however, she gives him Will, a lively boy, full of sprightly fire. Science is now approached. But it appears that only he who shall slay the giant, Tediousness, may be her husband. To this trial Wit volunteers. He is advised first to undergo long years of training under Instruction, Study, and Diligence; but, soon tiring of them, he rashly goes to the fight, trusting that his own strength, backed by the courage of Will and the half-hearted support of Diligence, will prove sufficient. Too self-confident, he is overthrown and his companions are put to flight. Will soon returns with Recreation, by whose skill Wit is restored to vigour and better resolution. Nevertheless, directly afterwards, he accepts the gentle ministrations of the false jade, Idleness, who sings him to sleep and then transforms him into the appearance of Ignorance. In this plight he is found by his lady-love and her parents, who do not at first recognize him. Shame is called in to doctor him. On his recovery he returns very repentantly to the tuition of his three teachers, until, by their help and Will's, he is able to slay the giant. As his reward he marries Science. |
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