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The Growth of English Drama by Arnold Wynne
page 88 of 315 (27%)

[Footnote 36: world's.]

[Footnote 37: company.]

[Footnote 38: wealth.]

[Footnote 39: know.]

[Footnote 40: know not.]

[Footnote 41: solace.]

[Footnote 42: stealing.]

[Footnote 43: lying.]

[Footnote 44: fright.]

[Footnote 45: glad.]

[Footnote 46: alehouse sign.]

[Footnote 47: The reader is warned against chronological confusion. In
order to follow out the various dramatic contributions of the Interludes
one must sometimes pass over plays at one point to return to them at
another. Care has been taken to place approximate dates against the
plays, and these should be duly regarded. The treatment of so early an
Interlude writer as Heywood (his three best known productions may be
dated between 1520 and 1540) thus late is justified by the fact that he
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