The Growth of English Drama by Arnold Wynne
page 94 of 315 (29%)
page 94 of 315 (29%)
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_T. Trusty._ But was there no such matter, Dame Custance, indeed? _C. Custance._ If ever my head thought it, God send me ill speed! Wherefore I beseech you with me to be a witness That in all my life I never intended thing less. And what a brainsick fool Ralph Roister Doister is Yourself knows well enough. _T. Trusty._ Ye say full true, i-wis. In 1566 was acted at Christ's College, Cambridge, 'A Ryght Pithy, Pleasaunt, and merie Comedie, intytuled _Gammer Gurton's Needle_.' The authorship is uncertain, recent investigation having exalted a certain Stevenson into rivalry with the Bishop Still to whom former scholars were content to assign it. Possibly as the result of a perusal of Plautus, possibly under the influence of the last play--for in subject matter it is even more perfectly English than _Ralph Roister Doister_--this comedy is also built on a well-arranged plan, the plot developing regularly through five acts with subsidiary scenes. Let us glance through it. Gammer Gurton and her goodman Hodge lose their one and only needle, an article not easily renewed, nor easily done without, seeing that Hodge's garments stand in need of instant repair. Gib, the cat, is strongly suspected of having swallowed it. Into this confusion steps Diccon, a bedlam beggar, whose quick eye promptly detects opportunities for mischief. After scaring Hodge with offers of magic art, he goes to Dame Chat, an honest but somewhat jealous neighbour, unaware of what has happened, with a tale that Gammer Gurton accuses her of stealing her |
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