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Prose Masterpieces from Modern Essayists by Leslie Stephen;William Ewart Gladstone;Edward A. Freeman;James Anthony Froude;John Henry Newman
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spell any word we please. We have only to pick out such letters as we
want, arrange them as we like, and say nothing about those which do not
suit our purpose.

I will try to make the thing intelligible, and I will try not to weary
you; but I am doubtful of my success either way. First, however, I wish
to say a word or two about the eminent person whose name is connected
with this way of looking at History, and whose premature death struck us
all with such a sudden sorrow. Many of you, perhaps, recollect Mr.
Buckle as he stood not so long ago in this place. He spoke more than an
hour without a note,--never repeating himself, never wasting words;
laying out his matter as easily and as pleasantly as if he had been
talking to us at his own fireside. We might think what we pleased of Mr.
Buckle's views, but it was plain enough that he was a man of uncommon
power; and he had qualities also--qualities to which he, perhaps,
himself attached little value--as rare as they were admirable.

Most of us, when we have hit on something which we are pleased to think
important and original, feel as if we should burst with it. We come out
into the book-market with our wares in hand, and ask for thanks and
recognition. Mr. Buckle, at an early age, conceived the thought which
made him famous, but he took the measure of his abilities. He knew that
whenever he pleased he could command personal distinction, but he cared
more for his subject than for himself. He was contented to work with
patient reticence, unknown and unheard of, for twenty years; and then,
at middle life, he produced a work which was translated at once into
French and German, and, of all places in the world, fluttered the
dovecots of the Imperial Academy of St. Petersburg.

Goethe says somewhere, that as soon as a man has done any thing
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