Song and Legend from the Middle Ages by William Darnall MacClintock;Porter (Lander) MacClintock
page 8 of 203 (03%)
page 8 of 203 (03%)
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country. The exploits of chivalric knights were told from camp to
camp and taken back home to be told again in the castles. 4. Another institution of feudalism that helped to make this common subject and spirit of mediaeval literature was the minstrel, who was attached to every well-appointed castle. This picturesque poet--gleeman, trouvere or troubadour sang heroic stories and romances of love in the halls of castles and in the market places of towns. He borrowed from and copied others and helped to make the common method and traditions of mediaeval song. 5. Other elements in this result were the extensions of commerce and the growth of traveling as a pleasure. 6. Finally, the itinerant students and teachers of mediaeval universities assisted in the making of this common fund of ideas and material for literature. (7) Behind and within all the separate national literatures lay the common Christian-Latin literature of the early Middle Ages, undoubtedly the cause of the rather startling perfection of form shown by much of the work of the period we are studying.[1] [1] See Ebert "Allgemeine Geschichte der Literatur des Mittelalters". Vol. I., p. 11. The result of all these unifying tendencies is to give a strong family likeness to the productions of the various European |
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