The Seventh Man by Max Brand
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page 2 of 282 (00%)
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weightier sense of burden; in a few days he would begin to talk to himself.
From the first the evening pause after supper hurt him most, for a man needs a talk as well as tobacco, and after a time he dreaded these evenings so bitterly that he purposely spent himself every day, so as to pass from supper into sleep at a stride. It needed a long day to burn out his strength thoroughly, so he set his rusted alarm-clock, and before dawn it brought him groaning out of the blankets to cook a hasty breakfast and go slowly up to the tunnel. In short, he wedded himself to his work; he stepped into a routine which took the place of thought, and the change in him was so gradual that he did not see the danger. A mirror might have shown it to him as he stood this morning at the door of his lean-to, for the wind fluttered the shirt around his labor-dried body, and his forehead puckered in a frown, grown habitual. It was a narrow face, with rather close-set eyes and a slanted forehead which gave token of a single-track mind, a single-purposed nature with one hundred and eighty pounds of strong sinews and iron-hard muscle to give it significance. Such was Vic Gregg as he stood at the door waiting for the coffee he had drunk to brush away the cobwebs of sleep, and then he heard the eagle scream. A great many people have never heard the scream of an eagle. The only voice they connect with the kind of the air is a ludicrously feeble squawk, dim with distance, but in his great moments the eagle has a war-cry like that of the hawk, but harsher, hoarser, tenfold in volume. This sound cut into the night in the gulch, and Vic Gregg started and glanced about for echoes made the sound stand at his side; then he looked up, and saw two eagles fighting in the light of the morning. He knew what it meant--the beginning of the mating season, and these two battling for a prize. They darted away. They flashed together with reaching talons and gaping beaks, and dropped in |
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