However that may be, it was impossible to look indifferently at
Veronique as she returned to her seat from the altar where she had
united herself with God,--a moment when she appeared to all the parish
in her primitive splendor. At such moments her beauty eclipsed that of
the most beautiful of women. What a charm was there for the man who
loved her, guarding jealously that veil of flesh which hid the woman's
soul from every eye,--a veil which the hand of love might lift for an
instant and then let drop over conjugal delights! Veronique's lips
were faultlessly curved and painted in the clear vermilion of her pure
warm blood. Her chin and the lower part of her face were a little
heavy, in the acceptation given by painters to that term,--a heaviness
which is, according to the relentless laws of physiognomy, the
indication of an almost morbid vehemence in passion. She had above her
brow, which was finely modelled and almost imperious, a magnificent
diadem of hair, voluminous, redundant, and now of a chestnut color.

From the age of sixteen to the day of her marriage Veronique's bearing
was always thoughtful, and sometimes melancholy. Living in such deep
solitude, she was forced, like other solitary persons, to examine and
consider the spectacle of that which went on within her,--the progress
of her thought, the variety of the images in her mind, and the scope
of feelings warmed and nurtured in a life so pure.

Those who looked up from their lower level as they passed along the
rue de la Cite might have seen, on all fine days, the daughter of the
Sauviats sitting at her open window, sewing, embroidering, or pricking
the needle through the canvas of her worsted-work, with a look that
was often dreamy. Her head was vividly defined among the flowers which
poetized the brown and crumbling sills of her casement windows with