table-cloth!--he should have thought the beds he had so often
weeded could not be so small: and the door-yard, one can shake
hands across it! And there is Wyllys-Roof, half hid by trees--he
used to admire it as a most venerable pile; in reality it is only
a plain, respectable country-house: as the home of the Wyllyses,
however, it must always be an honoured spot to him. Colonnade
Manor too--he laughs! There are some buildings that seem, at
first sight, to excite to irresistible merriment; they belong to
what may he called the "ridiculous order" of architecture, and
consist generally of caricatures on noble Greek models; Mr.
Taylor's elegant mansion had, undeniably, a claim to a
conspicuous place among the number. Charlie looks with a
painter's eye at the country; the scenery is of the simplest
kind, yet beautiful, as inanimate nature, sinless nature, must
ever be under all her varieties: he casts a glance upward at the
sky, bright and blue as that of Italy; how often has he studied
the heavens from that very spot! The trees are rich in their
summer verdure, the meadows are fragrant with clover, and through
Mr. Wyllys's woods there is a glimpse of the broad river, gilded
by the evening sun. It is a pleasing scene, a happy moment; it is
the first landscape he ever painted, and it is home.

Then Charlie returns to his mother; he sits by her side, she
takes his hand in her withered fingers, she rests her feeble
sight on his bright face; while Miss Patsey is preparing all the
dainties in the house for supper.

"Well, little one, what is your name?" said Charlie, as the black
child passed him with a load of good things.