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Letters of Two Brides by Honoré de Balzac
page 28 of 299 (09%)
chant when he spoke to me.

So, you see, my panoply is complete, and I can run the whole gamut of
coquetry from deepest bass to shrillest treble. It is a huge advantage
not to be all of one piece. Now, my mother is neither playful nor
virginal. Her only attitude is an imposing one; when she ceases to be
majestic, she is ferocious. It is difficult for her to heal the wounds
she makes, whereas I can wound and heal together. We are absolutely
unlike, and therefore there could not possibly be rivalry between us,
unless indeed we quarreled over the greater or less perfection of our
extremities, which are similar. I take after my father, who is shrewd
and subtle. I have the manner of my grandmother and her charming
voice, which becomes falsetto when forced, but is a sweet-toned chest
voice at the ordinary pitch of a quiet talk.

I feel as if I had left the convent to-day for the first time. For
society I do not yet exist; I am unknown to it. What a ravishing
moment! I still belong only to myself, like a flower just blown,
unseen yet of mortal eye.

In spite of this, my sweet, as I paced the drawing-room during my
self-inspection, and saw the poor cast-off school-clothes, a queer
feeling came over me. Regret for the past, anxiety about the future,
fear of society, a long farewell to the pale daisies which we used to
pick and strip of their petals in light-hearted innocence, there was
something of all that; but strange, fantastic visions also rose, which
I crushed back into the inner depths, whence they had sprung, and
whither I dared not follow them.

My Renee, I have a regular trousseau! It is all beautifully laid away
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