bedclothes; "I know all about it."

On a stool by the window sat the sexton's wife, Raissa Nilovna. A tin
lamp standing on another stool, as though timid and distrustful of its
powers, shed a dim and flickering light on her broad shoulders, on the
handsome, tempting-looking contours of her person, and on her thick
plait, which reached to the floor. She was making sacks out of coarse
hempen stuff. Her hands moved nimbly, while her whole body, her eyes,
her eyebrows, her full lips, her white neck were as still as though they
were asleep, absorbed in the monotonous, mechanical toil. Only from time
to time she raised her head to rest her weary neck, glanced for a moment
towards the window, beyond which the snowstorm was raging, and bent
again over her sacking. No desire, no joy, no grief, nothing was
expressed by her handsome face with its turned-up nose and its dimples.
So a beautiful fountain expresses nothing when it is not playing.

But at last she had finished a sack. She flung it aside, and, stretching
luxuriously, rested her motionless, lack-lustre eyes on the window. The
panes were swimming with drops like tears, and white with short-lived
snowflakes which fell on the window, glanced at Raissa, and melted....

"Come to bed!" growled the sexton. Raissa remained mute. But suddenly
her eyelashes flickered and there was a gleam of attention in her eye.
Savely, all the time watching her expression from under the quilt, put
out his head and asked:

"What is it?"

"Nothing.... I fancy someone's coming," she answered quietly.