Let us not forget a precious detail, full of naivete, which will be of
value in the eyes of an archaeologist. The tower in which the spiral
staircase goes up is placed at the corner of a great gable wall in
which there is no window. The staircase comes down to a little arched
door, opening upon a gravelled yard which separates the house from the
stables. This tower is repeated on the garden side by another of five
sides, ending in a cupola in which is a bell-turret, instead of being
roofed, like the sister-tower, with a pepper-pot. This is how those
charming architects varied the symmetry of their sky-lines. These
towers are connected on the level of the first floor by a stone
gallery, supported by what we must call brackets, each ending in a
grotesque human head. This gallery has a balustrade of exquisite
workmanship. From the gable above depends a stone dais like those that
crown the statues of saints at the portal of churches. Can you not see
a woman walking in the morning along this balcony and gazing over
Guerande at the sunshine, where it gilds the sands and shimmers on the
breast of Ocean? Do you not admire that gable wall flanked at its
angles with those varied towers? The opposite gable of the Guaisnic
mansion adjoins the next house. The harmony so carefully sought by the
architects of those days is maintained in the facade looking on the
court-yard by the tower which communicates between the dining-room and
the kitchen, and is the same as the staircase tower, except that it
stops at the first upper story and its summit is a small open dome,
beneath which stands a now blackened statue of Saint Calyste.

The garden is magnificent for so old a place. It covers half an acre
of ground, its walls are all espaliered, and the space within is
divided into squares for vegetables, bordered with cordons of
fruit-trees, which the man-of-all-work, named Gasselin, takes care of