true, but the discourse itself feigned; which made David (I speak of
the second and instrumental cause) as in a glass see his own
filthiness, as that heavenly psalm of mercy well testifieth.

By these, therefore, examples and reasons, I think it may be
manifest that the poet, with that same hand of delight, doth draw
the mind more effectually than any other art doth. And so a
conclusion not unfitly ensues; that as virtue is the most excellent
resting-place for all worldly learning to make his end of, so
poetry, being the most familiar to teach it, and most princely to
move towards it, in the most excellent work is the most excellent
workman.

But I am content not only to decipher him by his works (although
works in commendation and dispraise must ever hold a high
authority), but more narrowly will examine his parts; so that (as in
a man) though all together may carry a presence full of majesty and
beauty perchance in some one defectious {44} piece we may find
blemish.

Now, {45} in his parts, kinds, or species, as you list to term them,
it is to be noted that some poesies have coupled together two or
three kinds; as the tragical and comical, whereupon is risen the
tragi-comical; some, in the manner, have mingled prose and verse, as
Sannazaro and Boetius; some have mingled matters heroical and
pastoral; but that cometh all to one in this question; for, if
severed they be good, the conjunction cannot be hurtful. Therefore,
perchance, forgetting some, and leaving some as needless to be
remembered, it shall not be amiss, in a word, to cite the special
kinds, to see what faults may be found in the right use of them.