The Human Comedy: Introductions and Appendix by Honoré de Balzac
page 17 of 68 (25%)
page 17 of 68 (25%)
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clack and mair o' yer Jairman wine!" Only, in human respect and other,
we phrase it: "Oh, dear M. de Balzac! give us more _Eugenie Grandets_, more _Pere Goriots_, more _Peaux de Chagrin_, and don't talk about what you do not understand!" Balzac was a great politician also, and here, though he may not have been very much more successful, he talked with more knowledge and competence. He must have given himself immense trouble in reading the papers, foreign as well as French; he had really mastered a good deal of the political religion of a French publicist. It is curious to read, sixty years after date, his grave assertion that "_La France a la conquete de Madagascar a faire_," and with certain very pardonable defects (such as his Anglophobia), his politics may be pronounced not unintelligent and not ungenerous, though somewhat inconsistent and not very distinctly traceable to any coherent theory. As for the Anglophobia, the Englishman who thinks the less of him for that must have very poor and unhappy brains. A Frenchman who does not more or less hate and fear England, an Englishman who does not regard France with a more or less good-humored impatience, is usually "either a god or a beast," as Aristotle saith. Balzac began with an odd but not unintelligible compound, something like Hugo's, of Napoleonism and Royalism. In 1824, when he was still in the shades of anonymity, he wrote and published two by no means despicable pamphlets in favor of Primogeniture and the Jesuits, the latter of which was reprinted in 1880 at the last _Jesuitenhetze_ in France. His _Lettres sur Paris_ in 1830-31, and his _La France et l'Etranger_ in 1836, are two considerable series of letters from "Our Own Correspondent," handling the affairs of the world with boldness and industry if not invariably with wisdom. They rather suggest (as does the later _Revue Parisienne_ still more) the political writing of the age of Anne in England, and |
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