The Human Comedy: Introductions and Appendix by Honoré de Balzac
page 61 of 68 (89%)
page 61 of 68 (89%)
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immorality. These tactics, familiar in party warfare, are a disgrace
to those who use them. Luther and Calvin knew well what they were about when they shielded themselves behind damaged worldly interests! And they lived all the days of their life. When depicting all society, sketching it in the immensity of its turmoil, it happened--it could not but happen--that the picture displayed more of evil than of good; that some part of the fresco represented a guilty couple; and the critics at once raised a cry of immorality, without pointing out the morality of another position intended to be a perfect contrast. As the critic knew nothing of the general plan I could forgive him, all the more because one can no more hinder criticism than the use of eyes, tongues, and judgment. Also the time for an impartial verdict is not yet come for me. And, after all, the author who cannot make up his mind to face the fire of criticism should no more think of writing than a traveler should start on his journey counting on a perpetually clear sky. On this point it remains to be said that the most conscientious moralists doubt greatly whether society can show as many good actions as bad ones; and in the picture I have painted of it there are more virtuous figures than reprehensible ones. Blameworthy actions, faults and crimes, from the lightest to the most atrocious, always meet with punishment, human or divine, signal or secret. I have done better than the historian, for I am free. Cromwell here on earth escaped all punishment but that inflicted by thoughtful men. And on this point there have been divided schools. Bossuet even showed some consideration for great regicide. William of Orange, the usurper, Hugues Capet, another usurper, lived to old age with no more qualms or fears than Henri IV. or Charles I. The lives of Catherine II. and of Frederick of Prussia would be conclusive against any kind of moral law, if they were judged by the |
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