Peter Ruff and the Double Four by E. Phillips (Edward Phillips) Oppenheim
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waistcoat. A white tube-rose in his buttonhole might have been
intended as a sort of compliment to the occasion, or an indication of his intention to take a walk after supper in the fashionable purlieus of the neighbourhood. Facing him sat his sister - a fluffy-haired, blue-eyed young lady, pretty in her way, but chiefly noticeable for a peculiar sort of self-consciousness blended with self-satisfaction, and possessed only at a certain period in their lives by young ladies of her age. It was almost the air of the cat in whose interior reposes the missing canary, except that in this instance the canary obviously existed in the person of the young man who sat at her side, introduced formally to the household for the first time. That young man's name was - at the moment - Mr. Spencer Fitzgerald. It seems idle to attempt any description of a person who, in the past, had secured a certain amount of fame under a varying personality; and who, in the future, was to become more than ever notorious under a far less aristocratic pseudonym than that by which he was at present known to the inhabitants of Daisy Villa. There are photographs of him in New York and Paris, St. Petersburg and Chicago, Vienna and Cape Town, but there are no two pictures which present to the casual observer the slightest likeness to one another. To allude to him by the name under which he had won some part, at least, of the affections of Miss Maud Barnes, Mr. Spencer Fitzgerald, as he sat there, a suitor on probation for her hand, was a young man of modest and genteel appearance. He wore a blue serge suit - a little underdressed for the occasion, perhaps; but his tie and collar were neat; his gold-rimmed spectacles - if a little disapproved of by Maud on account of the air of steadiness which they imparted - suggested excellent son-in-lawlike qualities to Mr. |
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