LETTER TO HIS OLD MASTER . . . . . . . . . . . . . . . . . . . . . .330
THE NATURE OF SLAVERY. . . . . . . . . . . . . . . . . . . . . . . .337
INHUMANITY OF SLAVERY. . . . . . . . . . . . . . . . . . . . . . . .343
WHAT TO THE SLAVE IS THE FOURTH OF JULY? . . . . . . . . . . . . . .349
THE INTERNAL SLAVE TRADE . . . . . . . . . . . . . . . . . . . . . .354
THE SLAVERY PARTY. . . . . . . . . . . . . . . . . . . . . . . . . .358
THE ANTI-SLAVERY MOVEMENT. . . . . . . . . . . . . . . . . . . . . .363

MY BONDAGE
_and_
MY FREEDOM



EDITOR'S PREFACE


If the volume now presented to the public were a mere work of
ART, the history of its misfortune might be written in two very
simple words--TOO LATE. The nature and character of slavery have
been subjects of an almost endless variety of artistic
representation; and after the brilliant achievements in that
field, and while those achievements are yet fresh in the memory
of the million, he who would add another to the legion, must
possess the charm of transcendent excellence, or apologize for
something worse than rashness. The reader is, therefore,
assured, with all due promptitude, that his attention is not
invited to a work of ART, but to a work of FACTS--Facts, terrible
and almost incredible, it may be yet FACTS, nevertheless.