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Nostromo, a Tale of the Seaboard by Joseph Conrad
page 8 of 572 (01%)
possible variation of Latin-American girlhood I wouldn't dare to affirm.
But, for me, she is. Always a little in the background by the side of
her father (my venerated friend) I hope she has yet relief enough to
make intelligible what I am going to say. Of all the people who had seen
with me the birth of the Occidental Republic, she is the only one
who has kept in my memory the aspect of continued life. Antonia the
Aristocrat and Nostromo the Man of the People are the artisans of the
New Era, the true creators of the New State; he by his legendary and
daring feat, she, like a woman, simply by the force of what she is:
the only being capable of inspiring a sincere passion in the heart of a
trifler.

If anything could induce me to revisit Sulaco (I should hate to see all
these changes) it would be Antonia. And the true reason for that--why
not be frank about it?--the true reason is that I have modelled her on
my first love. How we, a band of tallish schoolboys, the chums of
her two brothers, how we used to look up to that girl just out of the
schoolroom herself, as the standard-bearer of a faith to which we all
were born but which she alone knew how to hold aloft with an unflinching
hope! She had perhaps more glow and less serenity in her soul than
Antonia, but she was an uncompromising Puritan of patriotism with no
taint of the slightest worldliness in her thoughts. I was not the only
one in love with her; but it was I who had to hear oftenest her scathing
criticism of my levities--very much like poor Decoud--or stand the
brunt of her austere, unanswerable invective. She did not quite
understand--but never mind. That afternoon when I came in, a shrinking
yet defiant sinner, to say the final good-bye I received a hand-squeeze
that made my heart leap and saw a tear that took my breath away. She was
softened at the last as though she had suddenly perceived (we were such
children still!) that I was really going away for good, going very far
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