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The Sketch-Book of Geoffrey Crayon by Washington Irving
page 58 of 458 (12%)
yore, there now was reared a tall naked pole, with something on
the top that looked like a red nightcap, and from it was
fluttering a flag, on which was a singular assemblage of stars
and stripes--all this was strange and incomprehensible. He
recognized on the sign, however, the ruby face of King George,
under which he had smoked so many a peaceful pipe, but even this
was singularly metamorphosed. The red coat was changed for one of
blue and buff, a sword was held in the hand instead of a sceptre,
the head was decorated with a cocked hat, and underneath was
painted in large characters, "GENERAL WASHINGTON."

There was, as usual, a crowd of folk about the door, but none
that Rip recollected. The very character of the people seemed
changed. There was a busy, bustling, disputatious tone about it,
instead of the accustomed phlegm and drowsy tranquillity. He
looked in vain for the sage Nicholas Vedder, with his broad face,
double chin, and fair long pipe, uttering clouds of
tobacco-smoke, instead of idle speeches; or Van Bummel, the
schoolmaster, doling forth the contents of an ancient newspaper.
In place of these, a lean, bilious-looking fellow, with his
pockets full of handbills, was haranguing, vehemently about
rights of citizens-elections--members of
Congress--liberty--Bunker's hill--heroes of seventy-six-and other
words, which were a perfect Babylonish jargon to the bewildered
Van Winkle.

The appearance of Rip, with his long, grizzled beard, his rusty
fowling-piece, his uncouth dress, and the army of women and
children at his heels, soon attracted the attention of the tavern
politicians. They crowded round him, eying him from head to foot,
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