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The Sketch-Book of Geoffrey Crayon by Washington Irving
page 64 of 458 (13%)
him home to live with her; she had a snug, well-furnished house,
and a stout cheery farmer for a husband, whom Rip recollected for
one of the urchins that used to climb upon his back. As to Rip's
son and heir, who was the ditto of himself, seen leaning against
the tree, he was employed to work on the farm; but evinced an
hereditary disposition to attend to any thing else but his
business.

Rip now resumed his old walks and habits; he soon found many of
his former cronies, though all rather the worse for the wear and
tear of time; and preferred making friends among the rising
generation, with whom be soon grew into great favor.

Having nothing to do at home, and being arrived at that happy age
when a man can be idle with impunity, he took his place once more
on the bench, at the inn door, and was reverenced as one of the
patriarchs of the village, and a chronicle of the old times
"before the war." It was some time before he could get into the
regular track of gossip, or could be made to comprehend the
strange events that had taken place during his torpor. How that
there had been a revolutionary war--that the country had thrown
off the yoke of old England--and that, instead of being a subject
to his Majesty George the Third, he was now a free citizen of the
United States. Rip, in fact, was no politician; the changes of
states and empires made but little impression on him; but there
was one species of despotism under which he had long groaned, and
that was--petticoat government. Happily, that was at an end; he
had got his neck out of the yoke of matrimony, and could go in
and out whenever he pleased, without dreading the tyranny of Dame
Van Winkle. Whenever her name was mentioned, however, he shook
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