Two Years Before the Mast by Richard Henry Dana
page 54 of 518 (10%)
page 54 of 518 (10%)
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and a marline-spike about his neck. He fell from the starboard futtock
shrouds, and not knowing how to swim, and being heavily dressed, with all those things round his neck, he probably sank immediately. We pulled astern, in the direction in which he fell, and though we knew that there was no hope of saving him, yet no one wished to speak of returning, and we rowed about for nearly an hour, without the hope of doing anything, but unwilling to acknowledge to ourselves that we must give him up. At length we turned the boat's head and made towards the vessel. Death is at all times solemn, but never so much so as at sea. A man dies on shore; his body remains with his friends, and "the mourners go about the streets;" but when a man falls overboard at sea and is lost, there is a suddenness in the event, and a difficulty in realizing it, which give to it an air of awful mystery. A man dies on shore--you follow his body to the grave, and a stone marks the spot. You are often prepared for the event. There is always something which helps you to realize it when it happens, and to recall it when it has passed. A man is shot down by your side in battle, and the mangled body remains an object, and a real evidence; but at sea, the man is near you-- at your side--you hear his voice, and in an instant he is gone, and nothing but a vacancy shows his loss. Then, too, at sea--to use a homely but expressive phrase--you miss a man so much. A dozen men are shut up together in a little bark, upon the wide, wide sea, and for months and months see no forms and hear no voices but their own, and one is taken suddenly from among them, and they miss him at every turn. It is like losing a limb. There are no new faces or new scenes to fill up the gap. There is always an empty berth in the forecastle, and one man wanting when the small night watch is mustered. There is one less to take the wheel, and one less to lay out with you upon the yard. You miss his form, and the sound |
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