The Nabob by Alphonse Daudet
page 84 of 516 (16%)
page 84 of 516 (16%)
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clients of the fashionable physician; the fine flower of society;
a strong political and financial element, bankers, deputies, a few artists, all the jaded people of Parisian "high life," wan-faced, with glittering eyes, saturated with arsenic like greedy mice, but with appetite insatiable for poison and for life. The drawing-room being thrown open, the vast antechamber of which the doors had been removed to be seen, laden with flowers at the sides, the principal staircase of the mansion, over which swept, now shaken out to their full extent, the long trains, whose silky weight seemed to give a backward pull to the undraped busts of the women in the course of that pretty ascending movement which brought them into view, little by little, till the complete flower of their splendour was reached. The couples as they gained the top seemed to be making an entry on the stage of a theatre; and that was twice true, since each person left on the last step the contracted eyebrows, the lines that marked preoccupation, the wearied air, his vexations, his sorrows, to display instead a contented face, a gay smile over the reposeful harmony of the features. The men exchanged honest shakes of the hand, exhibitions of fraternal good-feeling; the women, preoccupied with themselves, as they stood making little caracoling movements, with trembling graces, play of eyes and shoulders, murmured, without meaning anything, a few words of greeting: "Thank you--oh, thank you! How kind you are!" Then the couples would separate, for evening parties are no longer the gatherings of charming wits, in which feminine delicacy was wont to compel the character, the lofty knowledge, the genius, even, of men to bow graciously before it; but these overcrowded routs, in which the women, who alone are seated, chattering together like slaves in a harem, have no longer aught save the pleasure of being beautiful or appearing |
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