position through their own organising ability. They generally have to pay
men to organise the mine, exactly as they pay men to go down it. They
often lie about the present wealth, as they generally lie about their past
poverty. But when they say that they are going in for a "constructive
social policy," they do not lie. They really are going in for a
constructive social policy. And we must go in for an equally destructive
social policy; and destroy, while it is still half-constructed, the
accursed thing which they construct.


The Example of the Arts

Now I propose to take, one after another, certain aspects and departments
of modern life, and describe what I think they will be like in this
paradise of plutocrats, this Utopia of gold and brass in which the great
story of England seems so likely to end. I propose to say what I think
our new masters, the mere millionaires, will do with certain human
interests and institutions, such as art, science, jurisprudence, or
religion--unless we strike soon enough to prevent them. And for the sake
of argument I will take in this article the example of the arts.

Most people have seen a picture called "Bubbles," which is used for the
advertisement of a celebrated soap, a small cake of which is introduced
into the pictorial design. And anybody with an instinct for design (the
caricaturist of the Daily Herald, for instance), will guess that it was
not originally a part of the design. He will see that the cake of soap
destroys the picture as a picture; as much as if the cake of soap had been
used to Scrub off the paint. Small as it is, it breaks and confuses the
whole balance of objects in the composition. I offer no judgment here
upon Millais's action in the matter; in fact, I do not know what it was.