all on business principles."


"Mice Will Play" had a tremendously successful run in New York for ten
weeks--rather neat for a vaudeville sketch--and then it started on the
circuits. Without following it, it may be said that it was a solid
drawing card for two years without a sign of abated popularity.

Sam Packard, manager of one of Keetor's New York houses, said of Hart &
Cherry:

"As square and high-toned a little team as ever came over the circuit.
It's a pleasure to read their names on the booking list. Quiet, hard
workers, no Johnny and Mabel nonsense, on the job to the minute,
straight home after their act, and each of 'em as gentlemanlike as a
lady. I don't expect to handle any attractions that give me less trouble
or more respect for the profession."

And now, after so much cracking of a nutshell, here is the kernel of the
story:

At the end of its second season "Mice Will Play" came back to New York
for another run at the roof gardens and summer theatres. There was never
any trouble in booking it at the top-notch price. Bob Hart had his
bungalow nearly paid for, and Cherry had so many savings-deposit bank
books that she had begun to buy sectional bookcases on the instalment
plan to hold them.

I tell you these things to assure you, even if you can't believe it,
that many, very many of the stage people are workers with abiding