Like those Nicean barks of yore,
That gently, o'er a perfumed sea,
The weary, way-worn wanderer bore
To his own native shore.

On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece
And the grandeur that was Rome.

Lo! in yon brilliant window-niche
How statue-like I see thee stand!
The agate lamp within thy hand,
Ah! Psyche, from the regions which
Are Holy Land!


It is the tendency of the young poet that impresses us. Here is no
"withering scorn," no heart "blighted" ere it has safely got into its
teens, none of the drawing-room sansculottism which Byron had brought
into vogue. All is limpid and serene, with a pleasant dash of the
Greek Helicon in it. The melody of the whole, too, is remarkable. It
is not of that kind which can be demonstrated arithmetically upon the
tips of the fingers. It is of that finer sort which the inner ear
alone _can _estimate. It seems simple, like a Greek column, because
of its perfection. In a poem named "Ligeia," under which title he
intended to personify the music of nature, our boy-poet gives us the
following exquisite picture: