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The Works of Edgar Allan Poe — Volume 2 by Edgar Allan Poe
page 23 of 330 (06%)
given to the rhetorical dogma, that metaphor, or simile, may be made
to strengthen an argument, as well as to embellish a description. The
principle of the vis inertiæ, for example, seems to be identical in
physics and metaphysics. It is not more true in the former, that a
large body is with more difficulty set in motion than a smaller one,
and that its subsequent momentum is commensurate with this
difficulty, than it is, in the latter, that intellects of the vaster
capacity, while more forcible, more constant, and more eventful in
their movements than those of inferior grade, are yet the less
readily moved, and more embarrassed and full of hesitation in the
first few steps of their progress. Again: have you ever noticed which
of the street signs, over the shop- doors, are the most attractive of
attention?"

"I have never given the matter a thought," I said.

"There is a game of puzzles," he resumed, "which is played upon a
map. One party playing requires another to find a given word - the
name of town, river, state or empire - any word, in short, upon the
motley and perplexed surface of the chart. A novice in the game
generally seeks to embarrass his opponents by giving them the most
minutely lettered names; but the adept selects such words as stretch,
in large characters, from one end of the chart to the other. These,
like the over-largely lettered signs and placards of the street,
escape observation by dint of being excessively obvious; and here the
physical oversight is precisely analogous with the moral
inapprehension by which the intellect suffers to pass unnoticed those
considerations which are too obtrusively and too palpably
self-evident. But this is a point, it appears, somewhat above or
beneath the understanding of the Prefect. He never once thought it
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