eaves and over the main doors. The windows are narrow and deep, with
very tiny panes and a great deal of sash. On the roof is a vast
quantity of tiles with long curly ears. The woodwork, throughout, is
of a dark hue and there is much carving about it, with but a trifling
variety of pattern for, time out of mind, the carvers of
Vondervotteimittiss have never been able to carve more than two
objects -- a time-piece and a cabbage. But these they do exceedingly
well, and intersperse them, with singular ingenuity, wherever they
find room for the chisel.

The dwellings are as much alike inside as out, and the furniture is
all upon one plan. The floors are of square tiles, the chairs and
tables of black-looking wood with thin crooked legs and puppy feet.
The mantelpieces are wide and high, and have not only time-pieces and
cabbages sculptured over the front, but a real time-piece, which
makes a prodigious ticking, on the top in the middle, with a
flower-pot containing a cabbage standing on each extremity by way of
outrider. Between each cabbage and the time-piece, again, is a little
China man having a large stomach with a great round hole in it,
through which is seen the dial-plate of a watch.

The fireplaces are large and deep, with fierce crooked-looking
fire-dogs. There is constantly a rousing fire, and a huge pot over
it, full of sauer-kraut and pork, to which the good woman of the
house is always busy in attending. She is a little fat old lady, with
blue eyes and a red face, and wears a huge cap like a sugar-loaf,
ornamented with purple and yellow ribbons. Her dress is of
orange-colored linsey-woolsey, made very full behind and very short
in the waist -- and indeed very short in other respects, not reaching
below the middle of her leg. This is somewhat thick, and so are her