objectivity and subjectivity. Be sure and abuse a man named Locke.
Turn up your nose at things in general, and when you let slip any
thing a little too absurd, you need not be at the trouble of
scratching it out, but just add a footnote and say that you are
indebted for the above profound observation to the 'Kritik der reinem
Vernunft,' or to the 'Metaphysithe Anfongsgrunde der
Noturwissenchaft.' This would look erudite and -- and -- and frank.

"There are various other tones of equal celebrity, but I shall
mention only two more -- the tone transcendental and the tone
heterogeneous. In the former the merit consists in seeing into the
nature of affairs a very great deal farther than anybody else. This
second sight is very efficient when properly managed. A little
reading of the 'Dial' will carry you a great way. Eschew, in this
case, big words; get them as small as possible, and write them upside
down. Look over Channing's poems and quote what he says about a 'fat
little man with a delusive show of Can.' Put in something about the
Supernal Oneness. Don't say a syllable about the Infernal Twoness.
Above all, study innuendo. Hint everything -- assert nothing. If you
feel inclined to say 'bread and butter,' do not by any means say it
outright. You may say any thing and every thing approaching to 'bread
and butter.' You may hint at buck-wheat cake, or you may even go so
far as to insinuate oat-meal porridge, but if bread and butter be
your real meaning, be cautious, my dear Miss Psyche, not on any
account to say 'bread and butter!'"

I assured him that I should never say it again as long as I lived. He
kissed me and continued:

"As for the tone heterogeneous, it is merely a judicious mixture, in