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The Works of Edgar Allan Poe — Volume 5 by Edgar Allan Poe
page 109 of 331 (32%)
second and the third case there was no interval -- the one fitting
accurately within the other.

Removing the third case, we discovered and took out the body itself. We
had expected to find it, as usual, enveloped in frequent rolls, or
bandages, of linen; but, in place of these, we found a sort of sheath,
made of papyrus, and coated with a layer of plaster, thickly gilt and
painted. The paintings represented subjects connected with the various
supposed duties of the soul, and its presentation to different divinities,
with numerous identical human figures, intended, very probably, as
portraits of the persons embalmed. Extending from head to foot was a
columnar, or perpendicular, inscription, in phonetic hieroglyphics, giving
again his name and titles, and the names and titles of his relations.

Around the neck thus ensheathed, was a collar of cylindrical glass beads,
diverse in color, and so arranged as to form images of deities, of the
scarabaeus, etc, with the winged globe. Around the small of the waist was
a similar collar or belt.

Stripping off the papyrus, we found the flesh in excellent preservation,
with no perceptible odor. The color was reddish. The skin was hard,
smooth, and glossy. The teeth and hair were in good condition. The eyes
(it seemed) had been removed, and glass ones substituted, which were very
beautiful and wonderfully life-like, with the exception of somewhat too
determined a stare. The fingers and the nails were brilliantly gilded.

Mr. Gliddon was of opinion, from the redness of the epidermis, that the
embalmment had been effected altogether by asphaltum; but, on scraping the
surface with a steel instrument, and throwing into the fire some of the
powder thus obtained, the flavor of camphor and other sweet-scented gums
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