The work is of the best, - a careful reproduction of
old forms, colors, devices; and the master of the
establishment is one of those completely artistic types
that are often found in France. His reception is as
friendly as his work is ingenious; and I think it is not
too much to say that you like the work the better be-
cause he has produced it. His vases, cups and jars,
lamps, platters, _plaques,_ with their brilliant glaze, their
innumerable figures, their family likeness, and wide
variations, are scattered, through his occupied rooms;
they serve at once as his stock-in-trade and as house-
hold ornament. As we all know, this is an age of
prose, of machinery, of wholesale production, of coarse
and hasty processes. But one brings away from the
establishment of the very intelligent M. Ulysse the
sense of a less eager activity and a greater search for
perfection. He has but a few workmen, and he gives
them plenty of time. The place makes a little vignette,
leaves an impression, - the quiet white house in its
garden on the road by the wide, clear river, without
the smoke, the bustle, the ugliness, of so much of our
modern industry. It ought to gratify Mr. Ruskin.



V.

The second time I went to Blois I took a carriage
for Chambord, and came back by the Chateau de
Cheverny and the forest of Russy, - a charming little