from Twenty to Twenty-three piers--two construction lines, and a
turning-spur. The pilework must take its chance," said Hitchcock.

"All right. Roll up everything you can lay hands on. We'll give the gang
fifteen minutes more to eat their grub."

Close to the verandah stood a big night-gong, never used except for
flood, or fire in the village. Hitchcock had called for a fresh
horse, and was off to his side of the bridge when Findlayson took the
cloth-bound stick and smote with the rubbing stroke that brings out the
full thunder of the metal.

Long before the last rumble ceased every night-gong in the village
had taken up the warning. To these were added the hoarse screaming of
conches in the little temples; the throbbing of drums and tom-toms; and,
from the European quarters, where the riveters lived, McCartney's
bugle, a weapon of offence on Sundays and festivals, brayed desperately,
calling to "Stables." Engine after engine toiling home along the spurs
at the end of her day's work whistled in answer till the whistles were
answered from the far bank. Then the big gong thundered thrice for a
sign that it was flood and not fire; conch, drum, and whistle echoed the
call, and the village quivered to the sound of bare feet running upon
soft earth. The order in all cases was to stand by the day's work and
wait instructions. The gangs poured by in the dusk; men stopping to
knot a loin-cloth or fasten a sandal; gang-foremen shouting to their
subordinates as they ran or paused by the tool-issue sheds for bars
and mattocks; locomotives creeping down their tracks wheel-deep in
the crowd; till the brown torrent disappeared into the dusk of the
river-bed, raced over the pilework, swarmed along the lattices,
clustered by the cranes, and stood still--each man in his place.