tone, bending his head to shield his eyes from hers. His attempt at
laughter had vanished.

The mother looked down at the jagged, close-clipped head of her child.
She put her hands on his hair, and stroked and fondled his head.

"Oh--my boy!" she faltered. Her lip trembled, her face broke, and,
snatching up the child, she buried her face in his shoulder and cried
painfully. She was one of those women who cannot cry; whom it hurts as
it hurts a man. It was like ripping something out of her, her sobbing.

Morel sat with his elbows on his knees, his hands gripped together till
the knuckles were white. He gazed in the fire, feeling almost stunned,
as if he could not breathe.

Presently she came to an end, soothed the child and cleared away the
breakfast-table. She left the newspaper, littered with curls, spread
upon the hearthrug. At last her husband gathered it up and put it at
the back of the fire. She went about her work with closed mouth and very
quiet. Morel was subdued. He crept about wretchedly, and his meals were
a misery that day. She spoke to him civilly, and never alluded to what
he had done. But he felt something final had happened.

Afterwards she said she had been silly, that the boy's hair would have
had to be cut, sooner or later. In the end, she even brought herself to
say to her husband it was just as well he had played barber when he
did. But she knew, and Morel knew, that that act had caused something
momentous to take place in her soul. She remembered the scene all her
life, as one in which she had suffered the most intensely.