You Never Can Tell by George Bernard Shaw
page 147 of 166 (88%)
page 147 of 166 (88%)
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better taste.
CRAMPTON. Oh, yes: of course you say so. MRS. CLANDON. William: you see a great deal of good English society. Are my children overdressed? WAITER (reassuringly). Oh, dear, no, ma'am. (Persuasively.) Oh, no, sir, not at all. A little pretty and tasty no doubt; but very choice and classy---very genteel and high toned indeed. Might be the son and daughter of a Dean, sir, I assure you, sir. You have only to look at them, sir, to--- (At this moment a harlequin and columbine, dancing to the music of the band in the garden, which has just reached the coda of a waltz, whirl one another into the room. The harlequin's dress is made of lozenges, an inch square, of turquoise blue silk and gold alternately. His hat is gilt and his mask turned up. The columbine's petticoats are the epitome of a harvest field, golden orange and poppy crimson, with a tiny velvet jacket for the poppy stamens. They pass, an exquisite and dazzling apparition, between McComas and Bohun, and then back in a circle to the end of the table, where, as the final chord of the waltz is struck, they make a tableau in the middle of the company, the harlequin down on his left knee, and the columbine standing on his right knee, with her arms curved over her head. Unlike their dancing, which is charmingly graceful, their attitudinizing is hardly a success, and threatens to end in a catastrophe.) THE COLUMBINE (screaming). Lift me down, somebody: I'm going to fall. Papa: lift me down. CRAMPTON (anxiously running to her and taking her hands). My child! |
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