Seven Discourses on Art by Sir Joshua Reynolds
page 117 of 129 (90%)
page 117 of 129 (90%)
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voice.
It is from knowing what are the general feelings and passions of mankind that we acquire a true idea of what imagination is; though it appears as if we had nothing to do but to consult our own particular sensations, and these were sufficient to ensure us from all error and mistake. A knowledge of the disposition and character of the human mind can be acquired only by experience: a great deal will be learned, I admit, by a habit of examining what passes in our bosoms, what are our own motives of action, and of what kind of sentiments we are conscious on any occasion. We may suppose a uniformity, and conclude that the same effect will be produced by the same cause in the minds of others. This examination will contribute to suggest to us matters of inquiry; but we can never be sure that our own sensations are true and right till they are confirmed by more extensive observation. One man opposing another determines nothing but a general union of minds, like a general combination of the forces of all mankind, makes a strength that is irresistible. In fact, as he who does not know himself does not know others, so it may be said with equal truth, that he who does not know others knows himself but very imperfectly. A man who thinks he is guarding himself against Prejudices by resisting the authority of others, leaves open every avenue to singularity, vanity, self-conceit, obstinacy, and many other vices, all tending to warp the judgment and prevent the natural operation of his faculties. This submission to others is a deference which we owe, and indeed are forced involuntarily to pay. |
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