Seven Discourses on Art by Sir Joshua Reynolds
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page 41 of 129 (31%)
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perplex and puzzle the student when he compares them, or misguide him if
he gives himself up to their authority; but bringing them under one general head can alone give rest and satisfaction to an inquisitive mind. A DISCOURSE Delivered to the Students of the Royal Academy on the Distribution of the Prizes, December 10, 1771, by the President. Gentlemen,--The value and rank of every art is in proportion to the mental labour employed in it, or the mental pleasure produced by it. As this principle is observed or neglected, our profession becomes either a liberal art or a mechanical trade. In the hands of one man it makes the highest pretensions, as it is addressed to the noblest faculties, In those of another it is reduced to a mere matter of ornament, and the painter has but the humble province of furnishing our apartments with elegance. This exertion of mind, which is the only circumstance that truly ennobles our art, makes the great distinction between the Roman and Venetian schools. I have formerly observed that perfect form is produced by leaving out particularities, and retaining only general ideas. I shall now endeavour to show that this principle, which I have proved to be metaphysically just, extends itself to every part of the art; that it gives what is called the grand style to invention, to composition, to expression, and even to colouring and drapery. Invention in painting does not imply the invention of the subject, for |
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