Seven Discourses on Art by Sir Joshua Reynolds
page 84 of 129 (65%)
page 84 of 129 (65%)
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them, it must proceed from a feebleness of intellect or from the confused
manner in which those collections have been laid up in his mind. The addition of other men's judgment is so far from weakening, as is the opinion of many, our own, that it will fashion and consolidate those ideas of excellence which lay in their birth feeble, ill-shaped, and confused, but which are finished and put in order by the authority and practice of those whose works may be said to have been consecrated by having stood the test of ages. The mind, or genius, has been compared to a spark of fire which is smothered by a heap of fuel and prevented from blazing into a flame. This simile, which is made use of by the younger Pliny, may be easily mistaken for argument or proof. There is no danger of the mind's being over-burdened with knowledge, or the genius extinguished by any addition of images; on the contrary, these acquisitions may as well, perhaps better, be compared, if comparisons signified anything in reasoning, to the supply of living embers, which will contribute to strengthen the spark that without the association of more would have died away. The truth is, he whose feebleness is such as to make other men's thoughts an incumbrance to him can have no very great strength of mind or genius of his own to be destroyed, so that not much harm will be done at worst. We may oppose to Pliny the greater authority of Cicero, who is continually enforcing the necessity of this method of study. In his dialogue on Oratory he makes Crassus say, that one of the first and most important precepts is to choose a proper model for our imitation. _Hoc |
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