grass, flowers, woodland streamlets, cattle, deer, and unsophisticated
man. The essence of all these was compressed long ago, and still exists,
within that discolored marble surface of the Faun of Praxiteles.

And, after all, the idea may have been no dream, but rather a poet's
reminiscence of a period when man's affinity with nature was more
strict, and his fellowship with every living thing more intimate and
dear.




CHAPTER II


THE FAUN


"Donatello," playfully cried Miriam, "do not leave us in this perplexity!
Shake aside those brown curls, my friend, and let us see whether this
marvellous resemblance extends to the very tips of the ears. If so, we
shall like you all the better!"

"No, no, dearest signorina," answered Donatello, laughing, but with
a certain earnestness. "I entreat you to take the tips of my ears for
granted." As he spoke, the young Italian made a skip and jump, light
enough for a veritable faun; so as to place himself quite beyond the
reach of the fair hand that was outstretched, as if to settle the matter
by actual examination. "I shall be like a wolf of the Apennines," he
continued, taking his stand on the other side of the Dying Gladiator,