where you are, be it in cities or fields, I would fain be there too."

"I wonder whether I ought to allow you to speak in this way," said
Miriam, looking thoughtfully at him. "Many young women would think it
behooved them to be offended. Hilda would never let you speak so, I dare
say. But he is a mere boy," she added, aside, "a simple boy, putting his
boyish heart to the proof on the first woman whom he chances to meet.
If yonder lay-figure had had the luck to meet him first, she would have
smitten him as deeply as I."

"Are you angry with me?" asked Donatello dolorously.

"Not in the least," answered Miriam, frankly giving him her hand. "Pray
look over some of these sketches till I have leisure to chat with you
a little. I hardly think I am in spirits enough to begin your portrait
to-day."

Donatello was as gentle and docile as a pet spaniel; as playful, too, in
his general disposition, or saddening with his mistress's variable mood
like that or any other kindly animal which has the faculty of
bestowing its sympathies more completely than men or women can ever do.
Accordingly, as Miriam bade him, he tried to turn his attention to a
great pile and confusion of pen and ink sketches and pencil drawings
which lay tossed together on a table. As it chanced, however, they gave
the poor youth little delight.

The first that he took up was a very impressive sketch, in which the
artist had jotted down her rough ideas for a picture of Jael driving the
nail through the temples of Sisera. It was dashed off with remarkable
power, and showed a touch or two that were actually lifelike and