monstrous, my dear friend, thus to fling the dead weight of our
mortality upon our immortal hopes. While we live on earth, 't is true,
we must needs carry our skeletons about with us; but, for Heaven's sake,
do not let us burden our spirits with them, in our feeble efforts to
soar upward! Believe me, it will change the whole aspect of death, if
you can once disconnect it, in your idea, with that corruption from
which it disengages our higher part."

"I do not well understand you," said Donatello; and he took up the
alabaster skull, shuddering, and evidently feeling it a kind of penance
to touch it. "I only know that this skull has been in my family for
centuries. Old Tomaso has a story that it was copied by a famous
sculptor from the skull of that same unhappy knight who loved the
fountain lady, and lost her by a blood-stain. He lived and died with a
deep sense of sin upon him, and on his death-bed he ordained that this
token of him should go down to his posterity. And my forefathers, being
a cheerful race of men in their natural disposition, found it needful to
have the skull often before their eyes, because they dearly loved life
and its enjoyments, and hated the very thought of death."

"I am afraid," said Kenyon, "they liked it none the better, for seeing
its face under this abominable mask."

Without further discussion, the Count led the way up one more flight of
stairs, at the end of which they emerged upon the summit of the tower.
The sculptor felt as if his being were suddenly magnified a hundredfold;
so wide was the Umbrian valley that suddenly opened before him, set in
its grand framework of nearer and more distant hills. It seemed as if
all Italy lay under his eyes in that one picture. For there was the
broad, sunny smile of God, which we fancy to be spread over that favored