Unbeaten Tracks in Japan by Isabella L. (Isabella Lucy) Bird
page 235 of 383 (61%)
page 235 of 383 (61%)
![]() | ![]() |
|
it, and lacquer uprights at the top, which supported a polished
metal mirror. Several drawers in the toilet-box were open, and toilet requisites in small lacquer boxes were lying on the floor. A female barber stood behind the lady, combing, dividing, and tying her hair, which, like that of all Japanese women, was glossy black, but neither fine nor long. The coiffure is an erection, a complete work of art. Two divisions, three inches apart, were made along the top of the head, and the lock of hair between these was combed, stiffened with a bandoline made from the Uvario Japonica, raised two inches from the forehead, turned back, tied, and pinned to the back hair. The rest was combed from each side to the back, and then tied loosely with twine made of paper. Several switches of false hair were then taken out of a long lacquer box, and, with the aid of a quantity of bandoline and a solid pad, the ordinary smooth chignon was produced, to which several loops and bows of hair were added, interwoven with a little dark-blue crepe, spangled with gold. A single, thick, square-sided, tortoiseshell pin was stuck through the whole as an ornament. The fashions of dressing the hair are fixed. They vary with the ages of female children, and there is a slight difference between the coiffure of the married and unmarried. The two partings on the top of the head and the chignon never vary. The amount of stiffening used is necessary, as the head is never covered out of doors. This arrangement will last in good order for a week or more--thanks to the wooden pillow. The barber's work was only partially done when the hair was dressed, for every vestige of recalcitrant eyebrow was removed, and every downy hair which dared to display itself on the temples and |
|