up to him, rubbed the back of his neck, and then rubbed her own.
Then a modest-looking girl, leading an ancient woman with badly
inflamed eyelids and paralysed arms, rubbed his eyelids, and then
gently stroked the closed eyelids of the crone. Then a coolie,
with a swelled knee, applied himself vigorously to Binzuru's knee,
and more gently to his own. Remember, this is the great temple of
the populace, and "not many rich, not many noble, not many mighty,"
enter its dim, dirty, crowded halls. {5}

But the great temple to Kwan-non is not the only sight of Asakusa.
Outside it are countless shrines and temples, huge stone Amainu, or
heavenly dogs, on rude blocks of stone, large cisterns of stone and
bronze with and without canopies, containing water for the
ablutions of the worshippers, cast iron Amainu on hewn stone
pedestals--a recent gift--bronze and stone lanterns, a stone
prayer-wheel in a stone post, figures of Buddha with the serene
countenance of one who rests from his labours, stone idols, on
which devotees have pasted slips of paper inscribed with prayers,
with sticks of incense rising out of the ashes of hundreds of
former sticks smouldering before them, blocks of hewn stone with
Chinese and Sanskrit inscriptions, an eight-sided temple in which
are figures of the "Five Hundred Disciples" of Buddha, a temple
with the roof and upper part of the walls richly coloured, the
circular Shinto mirror in an inner shrine, a bronze treasury
outside with a bell, which is rung to attract the god's attention,
a striking, five-storied pagoda, with much red lacquer, and the
ends of the roof-beams very boldly carved, its heavy eaves fringed
with wind bells, and its uppermost roof terminating in a graceful
copper spiral of great height, with the "sacred pearl" surrounded
by flames for its finial. Near it, as near most temples, is an