the one as in the other. They would sometimes sing the most pathetic
sentiment in the most rapturous tone, and the most rapturous sentiment
in the most pathetic tone. Into all of their songs they would manage to
weave something of the Great House Farm. Especially would they do this,
when leaving home. They would then sing most exultingly the following
words:--

"I am going away to the Great House Farm!
O, yea! O, yea! O!"

This they would sing, as a chorus, to words which to many would seem
unmeaning jargon, but which, nevertheless, were full of meaning to
themselves. I have sometimes thought that the mere hearing of those
songs would do more to impress some minds with the horrible character of
slavery, than the reading of whole volumes of philosophy on the subject
could do.

I did not, when a slave, understand the deep meaning of those rude and
apparently incoherent songs. I was myself within the circle; so that I
neither saw nor heard as those without might see and hear. They told a
tale of woe which was then altogether beyond my feeble comprehension;
they were tones loud, long, and deep; they breathed the prayer and
complaint of souls boiling over with the bitterest anguish. Every tone
was a testimony against slavery, and a prayer to God for deliverance
from chains. The hearing of those wild notes always depressed my spirit,
and filled me with ineffable sadness. I have frequently found myself in
tears while hearing them. The mere recurrence to those songs, even
now, afflicts me; and while I am writing these lines, an expression of
feeling has already found its way down my cheek. To those songs I trace
my first glimmering conception of the dehumanizing character of slavery.