At a wave of Milady's glove,
Is stilled--

He stopped short, interrupting himself with a half-cough of laughter as
he remembered the inspiration of these verses. He had written them three
months ago, at home in Cranston, Ohio, the evening after Anna McCord's
"coming-out tea." "Milady" meant Mrs. McCord; she had "stilled" the
conversation of her guests when Mary Kramer (whom the poem called a
"sweet, pale singer") rose to sing Mavourneen; and the stanza closed
with the right word to rhyme with "glove." He felt a contemptuous pity
for his little, untraveled, provincial self of three months ago, if,
indeed, it could have been himself who wrote verses about Anna McCord's
"coming-out tea" and referred to poor, good old Mrs. McCord as "Milady"!

The second stanza had intimated a conviction of a kind which only poets
may reveal:

She sang to that great assembly,
They thought, as they praised her tone;
But she and my heart knew better:
Her song was for me alone.

He had told the truth when he wrote of Mary Kramer as pale and sweet,
and she was paler, but no less sweet, when he came to say good-by to
her before he sailed. Her face, as it was at the final moment of the
protracted farewell, shone before him very clearly now for a moment:
young, plaintive, white, too lamentably honest to conceal how much her
"God-speed" to him cost her. He came very near telling her how fond of
her he had always been; came near giving up his great trip to remain
with her always.