Critical and Historical Essays — Volume 2 by Baron Thomas Babington Macaulay Macaulay
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page 14 of 1012 (01%)
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that period. "Ridotta tutta in somma pace e tranquillita,
coltivata non meno ne' luoghi piu montuosi e piu sterili che nelle pianure e regioni piu fertili, ne sottoposta ad altro imperio che de' suoi medesimi, non solo era abbondantissima d' abitatori e di ricchezze; ma illustrata sommamente dalla magnificenza di molti principi, dallo splendore di molte nobilissime e bellissime citta, dalla sedia e maesta della religione, fioriva d' uomini prestantissimi nell' amministrazione delle cose pubbliche, e d'ingegni molto nobili in tutte le scienze, ed in qualunque arte preclara ed industriosa." When we peruse this just and splendid description, we can scarcely persuade ourselves that we are reading of times in which the annals of England and France present us only with a frightful spectacle of poverty, barbarity, and ignorance. From the oppressions of illiterate masters, and the sufferings of a degraded peasantry, it is delightful to turn to the opulent and enlightened States of Italy, to the vast and magnificent cities, the ports, the arsenals, the villas, the museums, the libraries, the marts filled with every article of comfort or luxury, the factories swarming with artisans, the Apennines covered with rich cultivation up to their very summits, the Po wafting the harvests of Lombardy to the granaries of Venice, and carrying back the silks of Bengal and the furs of Siberia to the palaces of Milan. With peculiar pleasure, every cultivated mind must repose on the fair, the happy, the glorious Florence, the halls which rang with the mirth of Pulci, the cell where twinkled the midnight lamp of Politian, the statues on which the young eye of Michael Angelo glared with the frenzy of a kindred inspiration, the gardens in which Lorenzo meditated some sparkling song for the May-day dance of the Etrurian virgins. Alas for the beautiful city! Alas for |
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