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The After House by Mary Roberts Rinehart
page 7 of 225 (03%)
the Ella consisted of three lights, he insisted on the opera-glasses,
and was persuaded he saw her. Finally he put down the glasses and
came over, to me.

"Perhaps you are right, Leslie," he said soberly. "You don't want
charity, any more than they want a ship's doctor. Wherever you go
and whatever you do, whether you're swabbing decks in your bare feet
or polishing brass railings with an old sock, you're a man."

He was more moved than I had ever seen him, and ate a gum-drop to
cover his embarrassment. Soon after that he took his departure,
and the following day he telephoned to say that, if the sea was
still calling me, he could get a note to the captain recommending
me. I asked him to get the note.

Good old Mac! The sea was calling me, true enough, but only dire
necessity was driving me to ship before the mast--necessity and
perhaps what, for want of a better name, we call destiny. For what
is fate but inevitable law, inevitable consequence.

The stirring of my blood, generations removed from a seafaring
ancestor; my illness, not a cause, but a result; McWhirter, filling
prescriptions behind the glass screen of a pharmacy, and fitting out,
in porcelain jars, the medicine-closet of the Ella; Turner and his
wife, Schwartz, the mulatto Tom, Singleton, and Elsa Lee; all thrown
together, a hodge-podge of characters, motives, passions, and
hereditary tendencies, through an inevitable law working together
toward that terrible night of August 22, when hell seemed loose on
a painted sea.

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