the end of the Greek Empire of the East it continued to be written, in
imitation it is true of the old poets, but still with the freedom of a
language in common and uninterrupted use. As in the heroic hexameter
the Asiatic colonies of Greece invented the most fluent, stately, and
harmonious metre for continuous narrative poetry which has yet been
invented by man, so in the elegiac couplet they solved the problem,
hardly a less difficult one, of a metre which would refuse nothing,
which could rise to the occasion and sink with it, and be equally
suited to the epitaph of a hero or the verses accompanying a birthday
present, a light jest or a great moral idea, the sigh of a lover or
the lament over a perished Empire.[4]

The Palatine Anthology as it has come down to us includes a small
proportion, less than one in ten, of poems in other metres than the
elegiac. Some do not properly belong to the collection, as for
instance the three lines of iambics heading the Erotic section and the
two hendecasyllabics at the end of it, or the two hexameters at the
beginning of the Dedicatory section. These are hardly so much
insertions as accretions. Apart from them there are only four non-
elegiac pieces among the three hundred and eight amatory epigrams. The
three hundred and fifty-eight dedicatory epigrams include sixteen in
hexameter and iambic, and one in hendecasyllabic; and among the seven
hundred and fifty sepulchral epigrams are forty-two in hexameter,
iambic, and other mixed metres. The Epideictic section, as one would
expect from the more miscellaneous nature of its contents, has a
larger proportion of non-elegiac pieces. Of the eight hundred and
twenty-seven epigrams no less than a hundred and twenty-nine are in
hexameter (they include a large number of single lines), twenty-seven
in iambic, and six others in various unusual metres, besides one (No.
703) which comes in strangely enough: it is in prose: and is the