Select Epigrams from the Greek Anthology by Anonymous
page 50 of 334 (14%)
page 50 of 334 (14%)
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his actual expressions, have the closest parallel in poets of the
fourteenth century who had never read a line of his work nor heard of his name. As in them, the religion of love is reduced to a theology; no subtlety, no fluctuation of fancy or passion is left unregistered, alike in their lighter and their graver moods. Sometimes the feeling is buried in masses of conceits, sometimes it is eagerly passionate, but even then always with an imaginative and florid passion, never directly as Sappho or Catullus is direct. Love appears in a hundred shapes amidst a shower of fantastic titles and attributes. Out of all the epithets that Meleager coins for him, one, set in a line of hauntingly liquid and languid rhythm, "delicate-sandalled,"[15] gives the key-note to the rest. Or again, he often calls him {glukupikros}, "bittersweet";[16] at first he is like wine mingled with honey for sweetness, but as he grows and becomes more tyrannous, his honey scorches and stings; and the lover, "set on fire and drenched to swooning with his ointments," drinks from a deeper cup and mingles his wine with burning tears.[17] Love the Reveller goes masking with the lover through stormy winter nights;[18] Love the Ball-player tosses hearts for balls in his hands;[19] Love the Runaway lies hidden in a lady's eyes;[20] Love the Healer soothes with a touch the wound that his own dart has made;[21] Love the Artist sets his signature beneath the soul which he has created;[22] Love the Helmsman steers the soul, like a winged boat, over the perilous seas of desire;[23] Love the Child, playing idly with his dice at sundawn, throws lightly for human lives.[24] Now he is a winged boy with childish bow and quiver, swift of laughter and speech and tears;[25] now a fierce god with flaming arrows, before whom life wastes away like wax in the fire, Love the terrible, Love the slayer of men.[26] The air all round him is heavy with the scent of flowers and ointments; violets and myrtle, narcissus and lilies, are woven into his garlands, and the rose, "lover-loving" |
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